The installation combines a suspended sneaker, a wooden frame, a photograph, and
extended shoelaces. The photograph depicts a human figure controlled by the shoelaces
connected to the sneaker above, just like a puppet. Viewers can physically interact with
the loops on the ground.
Puppet shows the shifting relationship between consumers and the objects they desire.
Turning the sneaker into a puppeteer, the work reverses the common assumption that
humans possess and control commodities. The extended shoelaces create a physical
connection between object and body, suggesting how desire, branding, and emotional
attachment can influence personal choices and identity. The work questions whether
consumption represents ownership, or whether objects can begin to shape the people
who pursue them.