Gone With The Wind

This is an intaglio drypoint print edition 1 of 3 where I explore the slow erosion of memory and the way time transforms my recollections of the people who once moved through my life. A bustling city scene emerges in fragments—solid architectural forms and stark shadows contrast with figures that blur, smear, or dissolve entirely. Their faces slip into abstraction, becoming indistinct impressions rather than recognizable individuals. The work evokes the sensation of remembering in retrospect: details collapse, identities fade, and once-familiar presences become little more than gestures in space. The city itself appears more stable than the people inhabiting it, underscoring how memory often preserves environments more reliably than the faces within them. This is a reminder that time continuously edits my personal histories, leaving behind fragmented memories.