Kobieta
Urodzona w: Satu Mare (Romania) 9 listopad 1992.
Obecnie mieszkający: Braunschweig (Germany).
Działalność:
Born on November 9, 1992, in Satu Mare, Transylvania (Romania)
Citizenships: Romanian and German
EDUCATION:
since November 2021: PhD student at the Institute of Art History and Aesthetics, Braunschweig University of Art (Germany);
since September 2017: PhD student in Literature, at the Institute of English and American Studies, Technische Universität Carolo-Wilhelmina zu Braunschweig;
Oct. 2017 – June 2021: M.A. in Art History and Aesthetics at the Braunschweig University of Art (HBK). Graduation with honors;
April 2016 – April 2020: Certificate of DaF/DaZ (Deutsch als Fremd- und Zweitsprache—“German as Foreign and Second Language”) at TU Braunschweig;
Oct. 2017 – July 2018: Meisterschüler (“Master Pupil”) in Visual Arts at HBK Braunschweig;
Oct. 2014 – Sept. 2017: B.A. in English and American Studies / Art History and Aesthetics, at TU Braunschweig. Graduation with honors;
Oct. 2012 – July 2017: “Diplom” Degree (the German equivalent of B.A. + M.A.) in Visual Arts at the Braunschweig University of Art (HBK)—financed through a full, five-year scholarship from the German Academic Exchange Service (DAAD). Graduation with honors;
Sept. 2000 – July 2012: German school “Liceul Teoretic German Johann Ettinger“, Satu Mare, Romania. Graduated with honors;
Sept. 1998 – Sept. 2001: Diploma of Art at the Satu Mare Art School. Graduation with honors.
PRIZES AND DISTINCTIONS (Selection)
2022: Young European Artist Trieste Contemporanea Award 2021;
2018: DAAD-Prize for outstanding achievements, Braunschweig University of Art (DE);
2012 – 2017: Full, five-year scholarship from the German Academic Exchange Service (DAAD);
2013: Prize of PSD-Bank Braunschweig (DE);
2008: Diploma of Excellency “Olympics of Romanian Schools” (handed out by the Prime Minister of Romania);
2008: Special Prize and 3rd Place at the National Olympics of Romanian Literature and Language, Suceava (RO);
2007: d. fleiss & east-west artists-scholarship (DE/RO);
2006: Prize of the ProARTA Foundation, Satu Mare (RO);
2002: Diploma of Honor from the West-University Vasile Goldiş, Arad (RO);
2001: Gold Medal at the Drawing Competition “Un nouveau siècle commence, l’avenir est entre vos mains; Que voulez-vous en faire?” Quimpere (FR);
2000: Trophy of the Francophone Olympiads of Culture (FR).
SOLO SHOWS
2022: Studio Tommaseo, “Ninna Nanna” (Young European Artist Trieste Contemporanea Award), Trieste (IT);
2021: städtische galerie braunschweig—halle267, “Kritik der häuslichen Vernunft (Critique of Domestic Reason),” Braunschweig (DE);
2017: Braunschweig University of Art, “Strategie und Zufall | Strategy and Chance,” Braunschweig (DE);
2011: Art Museum Satu Mare, “The Transfer,” Satu Mare (RO);
2009: Dinu Lipatti Philharmonic, “Take the Artist Off the Pedestal!,” Satu Mare (RO);
2008: Art Museum Satu Mare, “What gAsPexT Is Not,” Satu Mare (RO);
2005: Jan van der Togt Museum, “Open Letter to Karel Appel,” Amstelveen (NL);
2004: Kunsthandel Teunissen, Nijmegen (NL);
2004: Persingen Church, “Dominis Days,” Berg en Dal (NL);
2004: Dalfsen Town Hall, “The Child of the Bohemian Revolution,” Dalfsen (NL);
2004: Carola’s Gallery, “I Am Adding Another Morning to Eternity,” Timişoara (RO);
2003: Leadership Development Solutions, “The Republic of Painted Objects,” Bucharest (RO);
2002: Dinu Lipatti Philharmonic, “The City With People Who Dance on Smoke,” Satu Mare (RO);
2002: Palatul Cotroceni, “Proto(cool),” Bucharest (RO);
2002: County Museum, “Crossroads Fall,” Satu Mare (RO);
2001: Deutsches Kulturzentrum, Klausenburg, “Im Labyrinth der Kindheit | In the Labyrinth of Childhood),” Cluj-Napoca (RO);
2000: Metz (FR);
2000: Chateau de Bouthéon, “Butterflies Hatching from the Chrysalis,” Andrézieux-Bouthéon (FR);
2000: Corneliu Baba College, “Luciana Tamas,” Bistriţa (RO);
2000: Frezia Gallery, “Luciana Tamas,” Dej (RO);
2000: County Museum, “Luciana Tamas,” Satu Mare (RO);
2000: “Librăria Noi”, “Luciana Tamas,” Bucharest (RO);
2000: Sala Dalles, “Luciana Tamas,” Bucharest (RO);
2000: “Luciana Tamas,” Sinaia (RO);
2000: Town House of Culture “Geo Bogza”, “Luciana Tamas,” Câmpina (RO);
2000: Casa româno-franceză, “Luciana Tamas,” Buşteni (RO);
2000: “Luciana Tamas,” Cluj-Napoca (RO).
SELECTED GROUP SHOWS
2022: Museum für Photographie, “Seitenblicke. Aspekte des Miteinanders,” Braunschweig (DE);
2022: Centro de Arte Faro Cabo Mayor, “V Mini Print International,” Santander (ES);
2022: Muzeul de Artă Piatra-Neamț, “Jurnal de virus,” Piatra Neamț (RO);
2022: Romanian Cultural Institute Vienna, “Virus Diary,” Vienna (AT);
2022: Wingfield Barns, “International Mini Print,” Wingfield (UK);
2022: Muzeul Banatului Montan Reșița, “Jurnal de virus,” Reşiţa (RO);
2022: Taller Galeria Fort, “42nd Mini Print International of Cadaqués,” Cadaqués (ES);
2022: Heraklion Museum of Ancient Greek Technology | University of Crete, “Nuit blanche,” Heraklion (GR);
2022: Casa Artelor, “Jurnal de virus,” Timișoara (RO);
2022: B5 Studio, “Virus Diary,” Târgu Mureș (RO);
2022: Centrul Multicultural al Universității Transilvania, “Jurnal de virus,” Brașov (RO);
2022: Greek General Consulate, “Virus Diary / OCCUPY #3—NETWORKS,” New York (US);
2021: Museum für Photographie, “a kind of magic,” Braunschweig (DE);
2021: Kunstmuseum, “Bienala Alb/Negru 2021: Jurnal de Virus,” Satu Mare (RO);
2021: Casa Meșteșugarilor, “Bienala Alb/Negru 2019: După 30 de ani,” Satu Mare (RO);
2021: L’Étangd’Art, “41. Mini Print Internacional de Cadaqués,” Bages (FR);
2021: ABM Confecciones, “Diario del Virus,” Madrid (ES);
2021: Wingfield Barns, “International Mini Print,” Wingfield (UK);
2021: städtische galerie braunschweig – halle267, “project24 plus: artist to artist,” Braunschweig (DE);
2021: Taller Galeria Fort, “41. Mini Print Internacional de Cadaqués,” Cadaqués / Barcelona (ES);
2020: Museum of Photography Braunschweig, “Unbekanntes Terrain,” Braunschweig (DE);
2020: L’Étangd’Art, “40. Mini Print Internacional de Cadaqués,” Bages (FR);
2020: Fundació Tharrats d’Art Gràfic, ‘40. Mini Print Internacional de Cadaqués a Pineda,” Pineda (Barcelona) (ES);
2020: Romanian Design Week—Antifragile, “Jurnal de virus (Virus Diary),” Bucharest (RO);
2020: Taller Galeria Fort, “40. Mini Print Internacional de Cadaqués,” Cadaqués (Barcelona) (ES);
2020: ALIAJ (ALERT studio, ATELIER 030202, Diptych Art Space, ETAJ), “Scurt Circuit #1 // Despre Apropiere și Îndepărtare,” Bukarest (RO);
2020: White Cuib, “Jurnal de virus / Virus Diary.” Cluj-Napoca (RO);
2018: Burgpassage, “Ich hab dich beim Gehen gehört” (Graduation exhibition of the master pupils: Year of 2018), Braunschweig (DE);
2017: Art Museum, “The 5th Black on White Biennial,” Satu Mare (DE);
2017: GaDeWe, “Tight Intersection,” Bremen (DE);
2016: konnektor, “#58.Class of Prof. Rentmeister: Abstand mit Anstand (Distance with Decorum),” Hanover (DE);
2016: Protohaus, “Prototyp. Bergwerk Brunswick,” Braunschweig (DE);
2016: Art Museum, “Retrospective of Art Bunavestire 30,” Cluj-Napoca (RO);
2015: County Museum, “The 4th edition of the Black and White Biennial,” Satu Mare (RO);
2015: Muzeul de Artă Satu Mare, “Expoziție jubiliară / Jubileumi kiállítás 110” Satu Mare (RO);
2015: Hochschule für Bildende Künste Braunschweig, “15. Kunstmarkt – Förderer fordern,” Braunschweig (DE);
2015: Städtische Galerie Delmenhorst, “Nachtwache im Museum / Night Watch in the Museum,” Delmenhorst (DE);
2015: Kunst im Komm, “peng!,” Wolfenbüttel (DE);
2015: Montagehalle Braunschweig University of Art, “Glokal: Dan Perjovschi, Thomas Rentmeister and Guest,” Braunschweig (DE);
2014: KuK—Kunst- und Kulturzentrum, “Allianzen und Affären,” Monschau (DE);
2014: Hochschule für Bildende Künste, “14. Kunstmarkt - Förderer fördern,” Braunschweig (DE);
2014: Miskolci Galéria, “R_emarque: 5th International Spanish Flu Mail Art Biennial,” Miskolc (HU);
2014: Château de Tronjoly, “Exposition internationale Mail-Art ‘Feu, Eau et Terre,’” Gourin (FR);
2013: PSD Bank, Braunschweig (DE);
2013: Art Museum, “Black and White Biennial,” Satu Mare (RO);
2013: Ambulantes Lungenzentrum, “Zehn Jahre European Artists,” Essen (DE);
2013: Iva Gallery, “Art On Paper,” Shumen (BG);
2013: galerie auf zeit, “make it new!,” Braunschweig (DE);
2012: Kunstverein Ludwigsburg, “Dan Perjovschi / Rudolf Bone,” Ludwigsburg (DE);
2012: Jecza Gallery/City Business Centre, “Monumental,” Timişoara (RO);
2011: Art Museum, “Black and White Biennial (Black and White in the Everyday),” Satu Mare (RO)
2010: Haus am Turm, “18th International European Artists,” Essen (DE);
2007: Art Museum, “Final Exhibition of the 9th Summer Academy d. fleiss &east-west artists,” Satu Mare (RO);
2006: Muzeul Țării Oașului, “Bunavestire,” Negreşti-Oaş (RO);
2005: Air Traffic Control, “Genieten van Kunst de Kunst van het Genieten,” Amsterdam (NL);
2005: Filarmonica de Stat Dinu Lipatti, “Expoziție jubiliară de artă plastică,” Satu Mare (RO);
2005: Luchtverkeersleiding Nederland, “Genieten van Kunst de Kunst van het Genieten,” Schiphol (NL);
2002: Muzeul de Artă Satu Mare, “d. fleiss & east-west artists,” Satu Mare (RO);
2002: Muzeul Țării Oașului, “Bunavestire,” Negreşti-Oaş (RO);
2001: Exhibition of the Award Winners of the Drawing Competition Un nouveau siècle commence, l’avenir est entre vos mains; Que voulez-vous en faire, Quimpere (FR);
2000: Exhibition of the Award Winners of the Olympiad of Francophone Culture, Quimpere (FR).
WORKS IN PUBLIC AND PRIVATE COLLECTIONS
Selected Public Collections
National Museum Cotroceni; Romanian Embassy in The Hague; DAAD Bucharest; OTTO Uitzend Kracht (Venray, NL); County Museum Satu Mare (RO); Museum Negreşti-Oaş (RO); Théâtre du Parc (Andrézieux-Bouthéon, FR)
Selected Private Collections
Her Majesty Elizabeth II of Great Britain
His Majesty Akihito, former Emperor of Japan
Her Majesty Rania Al-Abdullah, Queen of Jordan
Her Majesty Sofia, former Queen of Spain
Princess Margriet of the Netherlands
Ban Ki-moon, former Secretary-General of the United Nations
Barbara and Jenna Bush, twin daughters of George W. Bush, ex-President of the USA
Ion Iliescu, ex-President of Romania
Bernard Bot, Dutch diplomat; former Minister of Foreign Affairs of the Netherlands
Roland Lohkamp, German diplomat; former Ambassador of Germany to Bucharest
Dumitru-Dorin Prunariu, first Romanian cosmonaut; President of the Romanian Space Agency; former Ambassador of Romania to Moscow
Iulian Buga, Romanian diplomat; former Ambassador of Romania to the Hague
James Rosapepe, ex-Ambassador of the USA to Bucharest
Dries van der Beek, former CEO of the VSB Foundation, the Netherlands
Harry Mens, presenter the show “Business Class”
Frank van Gool, CEO of OTTO Uitzend Kracht – OTTO Uitzend Kracht also commissioned 195 artworks, which were materialized in the artwork The Fluid Frontier – tempera on paper, 15 x 4.095 cm; the painting, divided into 195 sections, 15x21 cm apiece, was offered to the VIPs that were invited to the company’s 5-year jubilee
Florin Călinescu, actor and TV-moderator)
Simona Miculescu, senior Romanian diplomat; currently serving as Representative of the UN Secretary-General and Head of the UN Office in Belgrade; former Permanent Representative of Romania to the United Nations in New York, with the rank of Ambassador Extraordinary and Plenipotentiary, and former Foreign Policy Advisor to the President of Romania
Maia Simionescu, Director of the Pathology Institute in Bucharest and Vice-President of the Romanian Academy
Geert Schaaij, co-director of International Assets Baarn
Lia and Dan Perjovschi, Romanian visual artists
Alexandra Rus, art critic and historian
…as well as other politicians, journalists, writers, managers from the Netherlands, USA, France, Romania, Canada, Germany, Spain, Singapore, and Russia.
SELECTES TV- AND RADIO-SHOWS
2021: „Region aktuell“: „Kritik der häuslichen Vernunft: Ausstellung der Künstlerin Luciana Tamas in Braunschweig“ – by Melina Wall (Radio Okerwelle), 22 July 2021;
2017: “Arte frumoase” (Radio România Cultural);
2013: “EuroBox” (Deutsche Welle);
2009: Gala UNICEF” (TVR 1);
2005: “Twee Vandaag” (Nederland 2);
2005: “Business Class”—with Harry Mens (RTL 5—the Netherlands);
2005: “Jeugdjournaal” (Nederland 3);
2004: Radio Oost, the Netherlands;
2004: “Domino Day”—with Frauke Ludowig and Robin Paul Weijers (SBS 6—the Netherlands, RTL—Germany, TV 5—Sweden, TV Danmark—Denmark, TvNorge—Norway, VT 4—Belgium, TF 1—France, ORF—Austria, Antena 3—Spain, TVP—Poland, RTL Klub—Hungary; England, Switzerland, Russia, Finland, die United Arab Emirates and Sudan). Attendance figure: over 80 million;
2004: “La limită”—with Mircea Todoran (TVR Timişoara);
2000: “Taifas”—with Tiberiu Lazăr (Prima TV);
2000: “Dimineaţa devreme”—with Teo Trandafir and Mircea Badea (Antena 1);
2000: “Chestiunea zilei”—with Florin Călinescu (PRO TV / PRO TV International).
BOOK COVERS AND ILLUSTRATIONS
Ulmeanu, Radu. Umbra care e trupul tău / The Shadow That Is Your Body. 2022. (Work in progress)
Bilkau, Rebecca und Michael (Eds.). The Book of Plans, Hopes and Dreams / Das Buch der Pläne, Hoffnungen und Träume. 2014. (Awarded the Gruntvig-Prize in 2014).
Eminescu, Mihai. 21 Sonete. Cluj-Napoca: Dacia XXI, 2009.
Tămaş, Lucian. cu ochii împăturiţi peste lume. Cluj-Napoca: Dacia, 2008.
Vieru, Grigore. 21 Poezii. Cluj-Napoca: Dacia XXI, 2009.
PAINTINGS / DRAWINGS REPRODUCED IN
The Netherlands: De Telegraaf; Roemenie Bulletin (Amsterdam); Algemeen Dagblad (Rotterdam); Finance Club (Baarn); de Stentor (Apeldoorn), OTTO NL Magazine, OTTO Polski magazin (Venray)
Belgium: De Morgen
Germany: Argo (Bonn), Braunschweiger Zeitung; BraunschweigHeute.de; City Zeit (Braunschweig); der blaue reiter—Journal für Philosophie (Hanover)
Romania: Cuvîntul; Ziarul de duminică; Adevărul; Libertatea; Femeia; Femeia modernă, Flacăra lui Adrian Păunescu, 2000 Plus (Bukarest); Tribuna, Apostrof; Jurnalul de Cluj; Kronika (Klausenburg); Convorbiri literare; Cronica (Iaşi); Bănăţeanul; Agenda zilei; Evenimentul zilei de vest; Jurnal Bănăţean (Temeswar); Acolada, Poesis, Gazeta de Nord-Vest, Informaţia zilei, Glasul sătmarului, Universul informaţiei, Sătmăreanul (Satu Mare); Vocea Transilvaniei
France : Le Republicain Lorain (Metz)
Furthermore, over 100 articles have been written about my artistic activity (in Romania, the Netherlands, Germany, France, Belgium, Hungary, and Canada).
CATALOGUES (Selection)
Alb-negru în cotidian. Satu Mare: Editura Muzeului Sătmărean. 2011. ISBN: 978-973-1843-43-8.
Perjovschi, Dan and Luciana Tamas. “Arta văzută prin mina de pix.” In: Alb-negru în cotidian. Satu Mare: Editura Muzeului Sătmărean. 2011. ISBN: 978-973-1843-43-8. Pp. 32–82.
Monumental. Jecza Gallery. TRIADE Interart Foundation. Timişoara: Editura Brumar. 2012. ISBN: 978-973-602-8040-27-1.
Ten Years European Artists e.V. Paderborn: Lektora Verlag. 2013. ISBN: 978-3-95461-010-5.
Bienala Alb negru, ediția a III-a. Satu Mare: Editura Muzeului Sătmărean. 2015. ISBN: 978-606-8729-02-2.
Art Bunavestire 30. Negrești-Oaș: Muzeul Țării Oașului. 2016. ISBN: 978-606-617-216-5.
Allianzen & Affairen. Klasse Rentmeister. 11.–21. Oct. 2014. Hochschule für Bildende Künste, KuK der StädteRegion Aachen in Monschau (Eds.). Braunschweig / Monschau. 2016. (Foreword by Franziska Harnisch, Luciana Tamas, Thomas Rentmeister)
Ich hab Dich beim Gehen gehört. Katalog zur MeisterschülerInnenausstellung. Foreword by Nele Kaczmarek. Braunschweig. 2018.
Art Bunavestire XXXV. Retrospectivă 1987-2021. Negrești-Oaș: Muzeul Țării Oașului. 2021. ISBN 978-606-617-447-3.
PUBLISHED POETRY (Selection)
FEED BACK, No. 4. Iaşi. April 2006. (Literary Debut.)
Caligraf, Nr. 9 (74), Jahr VII, Oktober 2007. S. 12.
Citadela, Nr. 1 (4), Jahr II, Satu Mare, Januar 2008, S. 15.
“That Sack Over There, Hung by a Pine Tree in the Forest.” In: Lead Me to the Waters. Selected Texts from the Daniil Pashkoff Prize 2016. Braunschweig: Writers Ink. 2016. P. 108.
CURATORIAL PROJECTS / ARTIST TALKS / WORKSHOPS
2022: Co-curator of the exhibition Virus Diary, within OCCUPY #3—NETWORKS, Greek General Consulate, New York (US);
2021: Co-curator of the Biennial Alb/Negru: Jurnal de Virus, at the Art Museum Satu Mare (RO);
2021: Curator of the interdisciplinary event “project24 plus: artist to artist” in halle267—städtische galerie brauschweig. Participants: Aurelian Busuioc (photography; RO), Julian Faulhaber (photography; DE), Marlene Martins Fernandes (design; DE/PT), Annekatrin Posselt (sculpture; DE), Jonas Hellborg (music; SE), Ana Patan (music; RO/DE), Dan Perjovschi (video / drawing; RO), Luciana Tamas (video / sculpture / painting; RO/DE);
2013 – 2018: Assistance and co-organization of the series of events “Welcome –Künstler zu Gast bei Andreas Bee”, at HBK Braunschweig: 61 artist talks by artists, curators, theorists, philosophers from Germany, USA, France, Poland, Romania, Hungary, Switzerland, New Zealand, Canada, Greece, Sweden:
#108 Harry (Grit) Hachmeister, #107 Mike Bourscheid,#106 Sabine Groß, #105 Philip Grözinger, #104 Sofia Hultén, #103 Alexandra Ranner, #102 Maria Anwander / Frauke Dannert / Natalie Czech, #101 Ronny Lischinski, #100 Bettina Munk, #099 K.r.m. Mooney, #098 Georgia Sagri, #097 Jan Muche, #096 Rold Bier, #095 Henrik Schwarz, #094 Katrin Plavčak, #093 Dirk Dietrich Hennig, #092 Heiner Blum, #091 AGF spirit, #090 Pauline M'barek, #089 Lena Henke, #088 Isa Melsheimer, #087 Norbert Bisky, #086 Herbert Nauderer, #085 Nadine Fecht / Karen Irmer / Carolina Hellsgard, #084 Matthias Beckmann, #083 Tim Berresheim, #082 YRD. WORKS, #081 Christoph Ruckhäberle, #080 Katharina Bahlmann, #079 Anke Becker, #078 Julian Faulhaber, #077 Heinrich Gartentor, #076 Renate Wolff, #075 Katharina Marszewski, #074 Heribert Friedl, #073 Karsten Konrad, #072 Schirin Kretschmann / Dafni Barbageorgopoulou, #071 Stephan Baumkötter, #070 Matthew Cowan / Jana Müller, #069 Enno Schmidt, #068 Dan Perjovschi, #067 Gerald Domenig, #066 Jule Hillgärtner, #065 Heiner Franzen, #064 Christiane Cuticchio, #063 Christoph Dettmeier, #062 Jana Gunstheimer, #061 Antonia Low, #060 Benedikt Hipp, #059 Kevin Schmidt, #058 Manfred Metzner, #057 Jürgen Kisch, #056 Ciprian Mureșan, #055 Gabriele Langendorf, #054 Michel Klöfkorn, #053 Nasan Tur, #052 Alexander Roob, #051 Michael Kunze, #050 Simone van Dijken / Anja Gerecke / Alice Musiol, #049 Bénédicte Peyrat, #048 Michael Kalmbach
2015: Curator of the workshop and exhibition “Glokal: Dan Perjovschi, Thomas Rentmeister and Guests” in Montagehalle, HBK Braunschweig, as well as of an artist talk given by Perjovschi in the series “Welcome—Künstler zu Gast bei Andreas Bee”;
2015: Assistant to the lecture series “Theorie des künstlerischen Felds,” organized by PD Dr. phil. Thomas Becker, HBK Braunschweig. Guest List: Prof. Dr. Joseph Jurt / Dr. Larissa Buchholz / Prof. Dr. phil. Michael Kämper-van den Boogart / Prof. Dr. Christoph Wulf / Dr. Michael Wenzel / Prof. Fabrice Preyat / Univ.-Prof. Dr. Phil. Ruth Sonderegger /Univ.-Prof. Mag. Dr. Norbert Christian Wolf / Dr. Gisèle Sapiro / Lisa Rohman, Helena Lauinger, Anna Henke
2013: Co-curator of the Biennial “Alb-negru” (“Black and White”) at the Art Museum Satu Mare.
PUBLICATIONS (Selection)
Rentmeister, Thomas, Luciana Tamas and Franziska Harnisch. Foreword: Allianzen und Affären. Klasse Rentmeister. Exhibition Catalogue. Hochschule für Bildende Künste / Kuk der StädteRegion Aachen in Monschau (Eds.). Braunschweig / Monschau. 2016. (Exhibition Catalogue);
Tamas, Luciana. “‘A Description of This World as if It Were a Beautiful Place’: From Avant-Garde Destruction to Dys(u)topias,” In: Merle Tönnies, Eckart Voigts (Eds.), Twenty-Century Anxieties: Dys/utopian Spaces and Contexts in Contemporary British Theatre. Berlin / Boston: De Gruyter, CDE Studies (Volume 32), Edited by Anette Pankratz, 2022, pp. 103–116. https://doi.org/10.1515/9783110758252-008.
Tamas, Luciana. “End Meeting for All: The Performative Meta-Collages of Forced Entertainment.” Journal of Contemporary Drama in English (de Gruyter), vol. 9, no. 1, 2021, pp. 114–127. https://doi.org/10.1515/jcde-2021-0008;
Tamas, Luciana and Eckart Voigts. “Vampirism and Memory in Penny Dreadful and Only Lovers Left Alive”. In: Julie Grossman, Will Scheibel (Eds.), Penny Dreadful and Adaptation: Reanimating and Transforming the Monster. Palgrave Macmillan, 2022. (Palgrave Studies in Adaptation and Visual Culture series); to be published;
Voigts, Eckart und Luciana Tamas. “‘How can you photograph words?’ Expanding the Godot universe from adaptation to transmedia storytelling.” Pim Verhulst, Jonathan Bignell und Anna McMullan (Eds.), Beckett's Afterlives: Adaptation, Remediation, Appropriation. Manchester University Press, 2022. (New Interpretations of Beckett in the 21st Century series); to be published.
CONFERENCES
Luciana Tamas. “‘A Description of this World as if it Were a Beautiful Place’: Dys(u)topias in Forced Entertainment”, Dystopian/Utopian Theatre in Britain after 2000 and its Political Spaces, ZiF (Zentrum für interdisziplinäre Forschung), University of Bielefeld, 11th–13th of March 2021.
“Exploring Farocki: Three Videographic Approaches” (Kevin B. Lee). Panel moderator. Videographic Criticism, Technische Universität Braunschweig / Braunschweig University of Art. November 2019.
RESEARCH PROJECTS
Oct. 2018 – March 2019: Hyphenated Cultures: Contemporary British-Jewish Theatre, a German-Israeli research project led by Prof. Dr. Eckart Voigts (Technische Universität Braunschweig) and theatre scholar Dr. Jeanette Malkin (Hebrew University)
Co-organization and assistance of further project aspects:
Symposium: Contemporary British-Jewish Theatre. 1–2 October 2018. Technische Universität Braunschweig. Project presented at: 4th Conference of Scientific Cooperation between Lower Saxony and Israel. Leibniz University Hanover. March 2019.
The research project resulted in: The Companion to British-Jewish Theatre Since the 1950s. Jeanette R. Malkin, Eckart Voigts, Sarah Jane Ablett, Enoch Brater (Eds.) London: Methuen Drama. 2020.
TRANSLATIONS
Grigorescu, Felicia. Forme de artă în cimitire evreieşti din nord-vestul României / Forms of art in the Jewish Cemeteries in the North-West of Romania. Satu Mare: Editura Muzeului Sătmărean, 2013.
Zeki, Semir. “Splendors and Miseries of the Brain.” Interview by Thomas Becker und Christa Sturm. Kunst#quer#Kopf. Kunst und Neurowissenschaften begegnen sich. Bernhard Balkenhol, Christa Sturm (Hrsg.). München: kopaed. 2020. Pp. 14–36.
Ulmeanu, Radu. Umbra care e trupul tău / The Shadow That Is Your Body. 2022. (Work in progress)