Spirituality in Art

Van Gogh is generally acknowledged as the forerunner of the spiritual theme in art since the works he used to paint depict the reality in the way the artist saw it, but not in a generally perceived one. On the one hand, the spirituality which was inherent to the artist was not understood by his contemporaries and, especially, the Church representatives, which served as a reason why he was separated from it. The spirituality he transmitted through his works made people think of the things and concepts at which they were not proficient. According to the quality essay, this created the new trend in art, post-impressionism.

As a consequence, the style Van Gogh used to work in was determined by the experiments he conducted. Such concepts of painting as light, techniques of work, colors were always under experiment. This is why the reason why Van Gogh was acknowledged posthumously turns to be hidden in the lack of understanding of his works by people as well as by church of his time.

Among Van Gogh's key works one can single out the following masterpieces, which became famous all over the globe: White House at Night (1890), Girl in the Woods (1882), Cart with Black Ox (1884), Starry Night over the Rhone (1888) and many others. It is necessary to emphasize that all of his works are characterized with the unique expressiveness and unpredictability in usage of techniques and creation of ideas.

Van Gogh's spirituality consisted in, first of all, his rejection of the traditional Christian beliefs. This fact provoked a great amount of dislikes and influenced the way of the artist's career development to a great extent. Secondly, Van Gogh, using his talent, created his own vision and techniques of iconography. This part of his creative arts consisted of various details. For instance, the blue color symbolized God's presence in the artworks of Van Gogh; the yellow color was a symbol of the God's love.